This book distinguishes a Syrian style of qadat nathr (prose poem) as a piece of collaborative performance called shafawiyya, vernacularised poetic speech. The book describes the poetic lineages, stretching from early Syrian independence to the 21st century, whose task it was to bring poetic expression closer to everyday life. These poets are shown cultivating genres and translational practices rooted in a plebeian civilian identity that counters both heroised images of the prophet-poet and stern authoritarian rule. A comparative analysis is provided to understand shafawiyya poetics as a transnational mode of creative engagement. This analysis includes aesthetic affinities and instances of transmission between Arabic poetry and poetries written in formerly Soviet countries (Poland, Czechoslovakia, Romania, Bulgaria). From this vantage point, matters of perennial debate in comparative literature - vernacular, translatability, postcolonial poetry - are shown from a new perspective. The
