There is a long history in the West of viewing Japan through the twin lenses of orientalism and exoticism. Following the Meiji Restoration of 1868 and the re-opening of Japan after a long period of self-imposed isolation there has been a succession of commentators who have sought to present Japan as somehow ‘other’ and not susceptible to ready understanding. Too often the study of Japanese architecture has followed this pattern or has been presented as a series of visual images that are explained as if they emerged from some unique alchemy of sensitivity and mysticism. This book argues that Japanese modern architecture emerged from identifiable events: political, social, economic, historical events, and is as susceptible as any other architecture to analysis and criticism in these terms. Episodic rather than encyclopaedic, it does not describe every twist and turn in the development of modern Japanese architecture, but rather, it examines twenty buildings spanning the 20th century and
