Shakespeare's Late Work is a detailed reading of the plays written at the end of Shakespeare's career, centring on Pericles, Cymbeline, The Winter's Tale, and The Tempest. Unlike many previous studies it considers all the late work, including Henry VIII, The Two Noble Kinsmen, the revised Folio version of King Lear, and even what can be ascertained about the lost Cardenio. From this broadened canon emerge signs of a distinct identity for the late work. Lyne explores how Shakespeare sets great store in grand principles - faith in God, love of family, reverence for monarchs, and belief in theatrical representations of truth. However, there is also a ubiquitous and structuring irony whereby such principles are questioned and doubted. Audiences and readers are left with a difficult but empowering decision whether to believe, or to question, or to accommodate both faith and scepticism. Alongside this interest in the new and characteristically 'late' qualities of this phase in Shakespeare's