As western capitalism outlives any sense of social development or progress, culture takes on an increasingly gothic hue. The ruins of our industrial heyday are illuminated by digital billboards. The cyber-utopianism of the early Internet has waned, exposing Silicon Valley's anti-democratic ideologies and economies. As a result, far-right governments and fascist movements replace our meagre democracies. Looking around there are no saviours. Politics is moribund, while artists, once the dreamers of the modernist avant-garde, have become institutionalized and weak. Our revolutionary dreams are in tatters. Gothic Capitalism argues that artists can salvage art's spiritual and social roots by reassociating our art with working-class communities, class struggle, and gothic capitalism's everyday contradictions. 'Turl's ideas are an incitement, a reckoning - and perhaps even a way forward.' - Holly Lewis, author of The Politics of Everybody 'A vital critique of the extractive machinery of the
