FOREMOST among the alchemists of the Hellenized world, the 'divine' Zosimos practiced a sacred art in which metaphysical and metallurgical realities were fundamentally intertwined. Rather than being an exclusive product of Alexandrian syncretism, however, the dual spiritual and material emphasis of this alchemy reveals much deeper roots than expected: roots which extend deep into the religious cultures of the Ancient Near East. Through the methods of 'cultural biography' and 'thick description,' Becoming Gold guides the reader deep into the temple culture of Roman Egypt, where the role of scribal priest intersects explicitly with the metallurgical craft traditions. Going beyond generalizations, Grimes explores the metal-coloring techniques developed in Egyptian polychromic statuary, as well as the rituals of statue animation performed by the priests of the House of Life. In this light, Zosimos is increasingly revealed as a scribal priest responsible for preserving and translating
