Scott Burton: Collected Writings on Art and Performance, 1965-1975

Before gaining widespread recognition for sculptural work that sought to dissolve aesthetic boundaries, most notably between sculpture and furniture, Scott Burton produced a substantial body of art writing in the late 1960s and early 1970s. An eclectic and wide-ranging critic, he wrote such important texts as the introduction to the groundbreaking exhibition 'Live in Your Head: When Attitudes Become Form' and served as an editor for both ARTnews and Art in America. In these same years, Burton became known as a performance artist, developing themes he pursued in his writing. Yet, his role as an artist-critic has rarely been discussed. Scott Burton: Collected Writings on Art and Performance, 1965–1975 brings together for the first time Burton's essays and unpublished manuscripts from these years, tracing his work as an art critic as well as his early statements on performance. In his writing, Burton championed positions that others held as mutually exclusive and antagonistic. He