Over the last forty years, the mythology of Princess Diana has turned the woman who was born Diana Spencer into a symbol for almost anything. From a harbinger of Brexit populism, an all-American consumer capitalist, and the savior of the British aristocracy, to a catalyst for #MeToo and--in the words of one superfan--'the biggest punk that's come out of England,' Diana connects with a wider array of people than any member of the royal family ever has. We feel so familiar with Diana that it seems crushingly formal to use anything but her first name. In Dianaworld, Edward White guides us through this strange precinct of a global cultural obsession. It's a place of mass delusions, outsized fantasies and quixotic dreams; of druids, psychics, Hollywood stars, obsessive stalkers, radical feminists, and Middle Eastern generals. In a signature, innovative 'exploded biography,' White offers both a portrait of the princess, and group portraits of those who knew her intimately; those who worked
